"Painting has also probed the wall as origin of support and surface. A sequence intellectualized: construction, reconstruction, deconstruction. Carved cave wall first, then fresco wall erected and honed for illusion – into wall as perspective, in front of it as cubism, as environment for installation – all around but not in or on the painting as object. Three modes of painting made today: representational; abstract, actual. Where or why or how a painting is made. Question, pause, answer. A litany of trinities."
Frederic Matys Thursz: taken from…
“Has anyone Seen Leger’s Palette lately?”
Studio Photo. Taken by E. Tulchin
Frederic Matys Thursz: taken from…
“Has anyone Seen Leger’s Palette lately?”
Studio Photo. Taken by E. Tulchin
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