Monday, June 6, 2022

ROPE and it's story.

It's been many years I have making paintings. I have in the last era begun to make some amazing paintings on Rope, usually braided by myself. I have yet to use anything braided by another, except the factory in their creation of the base material I use. The impetus of my using rope in my art comes from a film called Herb And Dorothy, the Art Collectors of Legendary status. In the film there is a section including Mike Wallace from 60 Minutes in the 80's and he is being directed towards an extremely small artwork on the wall that just happens to be from the legend Richard Tuttle, a small 3 Inch slice of white rope and a small braid nail attaching it to the wall. It took many years for that one moment to soak into my imagination so I could work with it myself. But it hit me one night, like a thief in the night it just broke into my conscious mind and out came the idea that I could paint on a piece of rope. The original ideas have no photo documentation, but they were created in my place in Tamaqua Pennsylvania, I began by actually combining my appreciation for Fred Sandback by stretching my acrylic yarn around different spaces in my studio/home in PA. Then once stretched, usually using four strings instead of one to catch the texture paint. None of them really satisfied me at the time but they did light a fire inside me that came out months later back in Columbus Ohio. Ironic that as I sit here today and kind of wish I had taken some pics of the installations of those works. I can imagine the rough space that was meant to become a nice back room in my painting studio that I never got to move into. The yarn pulled tight in the middle of the room running from floor to ceiling, I had been able to anchor it because the space had been so raw and old without worrying about if I was about to mess up the space. I didn't go very far with the texture paint since at that time it was a bit on the lean side so I had to make sure that what I was messing with wasn't going to rid me of all my paint material. I remember it being a light blue yarn and I used yellow texture paint which created their own play of colors, maybe the reason people stick with white and black in their "developmental" periods is because of the highly contrasting way they play together. The one color really makes the other stand out and therefore can be judged in a more clear manner as opposed to just tossing every color at the work and hoping for the best. I kept the original work up for a few months and checking in on it everyday during my in's and out's of the building. One thing I absolutely loved about the idea of your painting studio below you is as you leave the house everyday, the work is all right there, just staring back at you and asking when you are gonna come play around some more. 

For the time being I'll be posting up images of the new rope paintings. Thanks for checking in. 
 
12-05-2021
Acrylic on Braided Poly Rope
28 X 5 IN
71.1 X 12.7 CM

I made this alongside a larger sized as i was enjoying the idea of making a rope painting that reminded me of an old chainsaw chain. One with dried up dirt and wood dust in it. Reminding me of walking out to my Fathers shed and seeing the landscaping tools in their well used states.
 
Click to enlarge. 
 




 

No comments:

Post a Comment

Labels

1954 1999 2000 2001 2002 2015 2016 2017 2019 437 W16th Street NYC 529 W. 20th Street NYC Absolute Arts Abstract Abstract Expressionism Acrylic Actual Ad Reinhardt Agnes Martin Alan Ebnother Alan Woods Albert Einstein Alex Gardner Alfred Molina Anders Knutsson Andre Zarre Gallery Andrew Leibenguth Anour Brahem Trio Anthony Caro Anthony Pearson Antifoam Anton Kern Gallery Arches Watercolor Paper Argentina Armory Fair Arnold Schwarzenegger Art Art Diary Art Guerra Art History Art in America Art Moving Art Print Art Stories Art:Basel ArtBookGuy Artist in Residence Artnet.com Arvid Boecker August Hoviele barnett newman Barry Schwabsky Basel. Bert Kreisher Betty Cunningham Gallery Bill Mayr Black Painting Blog Boecker Contemporary BOMA Book Boston Bowery Braided Paintings Brandeis University Brent Owens Brian Edmonds Brice Marden Brooklyn Brooklyn Rail Bushwick Callicoon Fine Arts CANADA Gallery Canon 5D Mk2 Carl Belz Century Pictures Cerith Wyn Evans Chakram Charles Kessler Cheap Materials Chelsea Chicago Chris Succo Christopher Titus Christopher Wilmarth Clyfford Still color color based painting color field painting Colorado Columbus Arts Columbus Dispatch Columbus Museum of Art Columbus Ohio Conceptual Art Concrete Concrete Painting Corridor Curating Contemporary CVJ Cy Twombly Dado Daniel John Gadd Daniel Levine Darryl Hughto David & Schweitzer David Anfam David Novros David Ratcliff David Reed Dayton Dean Delray Deb Covell Deborah Brown Dee Shapiro Dee Solin Denver Diary Dirk DeBruycker Dirk Serries Divisible Documentary Don Hazlitt Drawing Dreams of Spring DuoChrome Films ebay Elizabeth Murray Elks Lodge Ellen Banks English Kills Eric Minh Swenson Exalted Ruler Exterior Faces of the World. Fernand Leger Flat Paintings Fluorescent formula One Forrest Myers Francis Bacon Fred Sandback Frederic Matys Thursz Frederick Holmes Gallery Freestanding Painting Gagosian Gallerie Mark Muller Gallery S65 GCAC Georg Baselitz german Getty Center Golden Artist Colors Gregor Hildebrandt Guerra Paint and Pigment Hannelore Kersting Harold Rosenberg Helen Frankenthaler Helmut Federle Hionas Gallery Hirshorn Museum Hive Howard Hodgkin Howard Yezerski Gallery Hunter College Ingvild Goetz Interior Interview Interviews with Artists 1966-2012 Irene Borngraeber Jackson Pollock Jacquline Hall James Bishop James Elkins James Kalm James Rosenquist Jan Maiden Jason Martin Jason McCoy Gallery Jason Stopa Jazz Jeffrey Collins Jeffrey Cortland Jones Jerry Zeniuk Jill Moser Jimi Gleason Joe Rogan Joey Diaz John Chamberlain John Logan John Yau John Zinsser Jose Maria Casas Joseph Marioni Journal Journal Gallery Joy Walker Julian Schnabel Karen Wilkin Keith Schweitzer Kenworth Moffett Klaus Kertess Koen Delaere Koenig & Clinton Kyle Gallup Lawrence Terry Lee Syatt Left Bank Art Blog LES Galleries Life Linen Liquitex Lisson Gallery London Loren Munk Lori Ellison Los Angeles Lucas Jardin Lyles & King Gallery Magazine Mandala Manifesting Marc Maron Marc Ross Marcel Proust Marcia Evans Gallery Marcia Hafif Mark Grotjahn Mark Kostabi Mark Rothko Matthew Deleget max cole Max Frintrop Menil Collection Michael Bravo Michael Brennan Michael Corbin Michael David Michael Fried Michael Grandage Michael Lukacsko Michael Peppiatt Michael Toenges Milton Resnick MINI Mini Testers Minus Space Moby Dick modern life Modernism Molly McNitt Moma Morris Louis Moving Sale museum Music National Gallery of Art Neterhet New Mexico New York Newton Nils Hill nyartsmagazine NYC Oil Paint Oil Stick Olivier Mosset Painting Paper Pat Steir Paul Behnke Paul Gillis Paul Rodgers Paula Cooper Pennsylvania Perrotin Galerie Peter Blum Gallery Peter Hionas Peter Reginato Petzel Gallery Phil Sims Phillips Collection Phong Bui Photo Realism Pierre Soulages pink Podcasts Pop Portfolio Portraits Post Modernism Postal 7600 Pouring Progress Report Quote of the day R and F Pigments radical Radical Painting Realist Red Restoration RH Contemporary Richard Pousette-Dart Richard Serra Richard Timperio Richard Tuttle Robbie Robertson Robert C. Morgan Robert Motherwell Robert Ryman Robert Swain Robin Peck Ronnie Landfield Rope Rose Art Museum rothko Rudolf De Crignis saatchi gallery Sadie Benning Sandi Slone Sculpture Sean Landers Seattle Sebastian Vettel Shane Campbell Gallery Shiva Oil Paint Sideshow Gallery Sikh Weapon Silver Simon Hantai Soft Painting Spring Stephen Bennett Stephen Maine Stepher Bennett Steven Parrino Storefront Ten Eyck Studio Susan Roth Switzerland Sylvie Ball TAIR Tamaqua Tamaqua PA Team Gallery Testers Textural Texture The Hole The Painting Center Thomas Butter Throne Tim Ferriss Tofer Chin Tom Mcglynn Tom Segura Transcript Magazine Utrecht Artist Paints void Wade Wilson Washington DC Wayne Dyer Weapon Masters Wesley Kimler White Whitehot Magazine who's afraid of red yellow and blue Williamsburg Windsor and Newton writing Yarn Yarn Paintings Zwirner

Followers

Thanks for the 2019 and NOW THE 2020 Grant!!! Love you all!!!